Full  moon silver frosted leaves, and glacine dew robed sycamore sleeves. Sagacious spiders (masters of weave), slept snug & warm beneath my eaves. The creek roared fierce with a late spring rain: All things full must surely wane: Perpetual blossoms should not be sad, yet how do I sing when I’m this mad? Atomic beats drove me insane. The sight I saw played upon my brain. I wondered if the sky feels pain? Suddenly a Raven soared in for attack. The hawk’s quick eye did catch the beast but not before the raven’s feast. The hawk chick fell from the sycamore to the rocky banks of the canyon floor. The rest, of course, is etched in lore. An angel garbed in feathered dress descended from her perch of rest. The battered babe, his blood now cold, rose from the dead on wings of gold. Miraculous in the Phoenix mold; fell from the skies then resurrected: A god-shot is quite unexpected. For when the reaper comes it’s time to go. Since the first dawn this has been so. But then again, how’d I know? Heart returned to our beloved’s sky, & then the glint in our dear chick’s eye. The babe ascended his lofty nest to the greatest comfort, a mother’s breast. Successful in her Angel quest, our heroine in feathered dress returned to where all angels rest. And to this day this lore I’ve told delights all children, both young and old.




Painted in Southern California.
Photo by David Blattel 2000

Oil on canvas, measuring 17 1/2 inches by 29 inches.  Signed by  Gégoux , and dated 1914.  Painted at Topanga Canyon, California.  Gegoux was interested in capturing the “marine layer” effect of this coastal area.  In this effort he would travel to the beach at Topanga Canyon and each morning observe the dominant atmospheric effect known as the “Catalina Eddy”.  This vortex forms periodically off Santa Catalina Island and throws marine air on shore, resulting in periods of up to a week or more when fog persists through out most of the day.  Excerpts from “The Topanga Story”, edited by Louise Armstrong York, © All Rights Reserved.  
The wetlands of old can be seen in this image, from circa 1914, which shows the entrance to Topanga Canyon viewed from the southeast looking northwest.  Courtesy of the Ernest Marquez Collection, © All Rights Reserved.  This painting was acquired from the estate of the Mary Eldriedge – Champoeg, Oregon.  
My grateful appreciation to Elisabeth Walton Potter for her help in describing this paintings and providing provenance information.

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